[WordPlay Word-zine] Open the "eyes of your eyes"

Published: Mon, 11/27/17


The WordPlay Word-zine

Volume VI, Issue 48
November 27, 2017


Word of the Week: seen
Dear ,

Happy Cyber Monday! I hope you are feeling much better than I am today. I've been down and out with either the flu or food poisoning since Saturday, and while I'm feeling better, am still in no creative shape to craft a new zine.

So I decided to rerun a previous issue that features writer and WordPlayer Natalie Sloane of New York City, who sent me a few of her "Seen on the Subway" poems and shared that an exercise from Spinning Words into Gold inspired them. Now, that was an email that made my day! 

It's also timely because, just like in April of 2014, I have a poetry workshop coming up that I'm very excited about. (Details here and below.)

Natalie's "seeing" reminded me of one of my favorite poems by e e cummings, which ends with the lines 

                (now the ears of my ears awake and
                now the eyes of my eyes are opened)

(I owe my becoming a poet, in large part, to e e cummings, whose inventive use of language and punctuation inspired the rebel poet in my 16-year-old soul.)

If we are awake and open, writing possibilities are all around useven in subway ads and graffiti, as Natalie proves below...


This week, keep your eyes open and your ears awake! Challenge yourself to incorporate at least one thing you see each day into a piece of writing. And see the prompt below for the exercise that prompted Natalie to create poems on the subway.


Love and light,


Maureen

Upcoming WordPlay




THE FINE ART OF COOKING UP A POEM
A Poetry (and Prose) Craft Workshop 

Everything you need to know about writing outstanding poetry is embedded in the poems of the poets you love—in the form of “poetic ingredients” that comprise their outstanding poems. Learn how to use any poem you love to inspire and instruct you in crafting your work in this hands-on workshop. Bonus: These ingredients will make your prose stronger and more lyrical, too!

WHERECharlotte Center for Literary Arts. 1817 Central Avenue, Suite 302. Charlotte, NC 28205
WHEN: Wednesday, December 6th, from 6:00 until 9:00 p.m.
COST: Free – $65 (depending on registration)

TO REGISTER: To register, visit the Charlotte Lit webpage here.


---------------------------------------------------------------

WINTER WRITING RETREAT
(Writing as Renewal / Creating New Writing /
​​​​​​​Tools for a Writing Life

Renew and delight yourself. The Winter Writing Retreat is an opportunity to create new pieces of writing and/or new possibilities for our lives. Enjoy various seasonal prompts; they elicit beautiful material that can be shaped into essays, poems, stories, or articles. After a communal lunch, you’ll have private time which can be used to collage, work with a piece of writing from the morning, or play with a number of other writing prompts and methods. You’ll take home new ideas, new drafts, and new possibilities.

$97 includes lunch and supplies.

WHERE: South Charlotte area. Details will be provided upon registration.
WHEN: Saturday, December 16th, 10:00 a.m. to 5:00 p.m.

TO REGISTER: To pay with a check via mail, email info@wordplaynow.com for instructions. To pay online, please click this link to check out using PayPal.

WordPlay Success Story


"I came into Maureen's class with a couple of blossoming stories and poems I was proud of, and left with a world of knowledge and inspiration." 

Meet Natalie Sloane



WHAT NATALIE SAYS ABOUT WordPlay

I didn't really know what I was in for before Maureen's class at the John Campbell Folk School. I was looking forward to taking in the mountainside, enjoying some R&R, and meeting new people. I didn't know that I would be thrown into such a creative frenzy. I always liked writing, mostly poetry, but some short stories here and there. I came into Maureen's class with a couple of blossoming stories and poems I was proud of, and left with a world of knowledge and inspiration. Although I have not set out to be a writer or changed my career course as a result of the class, I still carry Spinning Words Into Gold with me on any job assignment.


Recently I have shared the book and my experiences by starting a creative writing course with my clients. As a social worker (to be) I have had the opportunity to teach my clients; adults diagnosed with HIV/AIDS different outlets to express themselves through writing. I plan to continue to incorporate creative writing into my social work career in hopes of inspiring my clients, those who generally do not feel they have a voice, to feel free to express themselves. 

The note card exercise from Spinning Words Into Gold has recently inspired me to turn my long subway commute to and from work each day into a fun way to jump start my creativity. By collecting words that I see throughout my journey underground, including advertisements, graffiti, people's books beside me, or advisories, I get to rearrange my seemingly redundant routine into poetry. 


Featured Writing

Selections from 

"Seen on the Subway"

by

Natalie Sloane



Seen on the subway pt. 2:

Choose

your calling

fast. 

Get connected. 

Easy green,

7day focus,

the fall,

more years. 

What's next?

The day 

YOU

hear their stories. 

Then write your own. 

 

  

Seen in the subway pt. 6:


Lucas likes to talk about a boy  who free based on the world. 

 

2 doors circle round Lucas. 

Lucas uses circles to keep things moving. 

Lucas and Romeo experience the end of legends, Kung fu, and magic. 

They need the art, like the students that wanted the cloud,

but taste the real world;

 

caution, they graduate. 

Growing up yes, a bad need, 

believe genuinely. 

 

Lucas uses no room, no path. 

Lucas can lead you to #takeyourcityback

WordPlay Now! Writing Prompt


This is WordPlay -- so why not revel in the power and potential of one good word after another? This week, it's "seen." 


PROMPT: 


NOTE: This tool that I call "The Shuffle" sometimes baffles people because it's so different from the way we usually write. What you'll end up with is a three-stanza poem (for new poets, stanzas are formed by skipping a line). Each stanza will contain the same ten words, but in different order because of your Shuffling. Here's how to play:


  • Gather paper, a pencil or pen, and ten index cards.

  • Choose ten words you love for their sound and meaning, the more interesting the better, and write each of them on a separate index card. (If you've already created a "Personal Diction Deck" use 10 of these word cards.) 

  • Shuffle your ten cards well!

  • Create the first stanza of your "sound poem":   

    * Flip over the first card, and write that word on the first line of your paper. Example: lullaby

    * Flip over the second card. Here is your choice: you may either write this word on the same line, or begin a new line. Add any punctuation you like. You may also add endings to words ("s" or "es", "ed", "ing") but you may not add any words or change the order of them. Example:    



·                 Lullaby wind  

                       or  

   
                  Lullaby

                  Wind

        * Flip over your third card. Remember, your only poetic choice 
           is, Do I put this word on the same line, or the next line? 

           Example:

                  Lullaby wind, cascade

                         or   

                   

                    Lullaby
                   Wind cascade


                        or   


                   Lullaby
                   Wind 
                   Cascade 

  • Proceed as above with cards four through ten. Remember, you must use each word in the order you flip it over. Your poetic expression comes with choosing, for each word, "Same line, or next line?" and with any punctuation you'd like to add. Congratulations! You have now written the first stanza of a poem.

  • Shuffle your cards again, and repeat steps above. Be sure to skip a line before you write your words. You've now completed your second stanza. 
    ​​​​​​​

  • Shuffle your cards again, and repeat steps above, again skipping a line. 

  • You've now completed your Sound Poem.

  • Read it aloud. Savor the sounds.
This exercise is sheer fun, especially when you get into the spirit and really deliver your poems, with great interpretive inflections. And often, two or more words that end up next to each other provide a serendipitous juxtaposition -- a fresh, surprising metaphor, a joke, or sheer loveliness. Listen for these. What ideas do they suggest?


If you want to take this process a step further, create a "regular poem" using as many of the words/word combinations as you care to.
         

I'd love to see what you come up with! Email it to me at info@wordplaynow.comyou could be featured in a future Word-zine.


MAUREEN RYAN GRIFFIN, an award-winning poetry and nonfiction writer, is the author of Spinning Words into Gold, a Hands-On Guide to the Craft of Writing, a grief workbook entitled I Will Never Forget You, and two collections of poetry, This Scatter of Blossoms and When the Leaves Are in the Water. She believes, as author Julia Cameron says, "We are meant to midwife dreams for one another."

Maureen also believes that serious "word work" requires serious WordPlay, as play is how we humans best learn
—​​​​​​​and perform. What she loves best is witnessing all the other dreams that come true for her clients along the way. Language, when used with intentionality and focus, is, after all, serious fuel for joy. Here's to yours!

WordPlay
Maureen Ryan Griffin
Email: info@wordplaynow.com
Website: www.wordplaynow.com
Facebook: www.facebook.com/wordplaynow